Antoine Alario
This article investigates the power of queer performances through an analysis of Bixarada, a work by racialized queer artists. This power emerges from a dialectic of violence and care: the performance enacts the racist and transphobic violences endured by the artists, yet simultaneously produces political care, forging a new community. The article then considers how this dialectic informs queer performance more broadly, showing that they all confront the questions of violence and the necessity of care that shape queer existence. This dialectic is particularly pronounced in Bixarada due to its intersectional dimension: racialized trans artists experience both violences and the need for performative healing more intensely. Intersectional performances thus reveal this dialectic as a core force of queer performativity.
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